AAfter cleaning Thanks to the invention of the bagless vacuum cleaner, Sir James Dyson, one of Britain’s wealthiest men, plans a more fascinating heritage for himself. He and his wife, Diadol, who studied art last summer, built an exhibition space in Gloucestershire’s estate, Dodington Park, where they used pop art such as Andy Warhol, Roy Lichtenstein, Yves Klein, and David Hockney. I applied for permission to display the collection. The gallery is open to the public free of charge for one month each year.
Dyson is reviving the customs that were once commonplace. The National Gallery in London began in 1824 at the townhouses of Pall Mall and featured 38 masters owned by Russian-born Emigré banker John Julius Angerstein. The Walker Gallery and Lady Lever Gallery are based on the Liverpool businessman’s collection, the Burrell Collection, a gift from the Captain of Glasgow, and the National Museum on the Generosity of Two Davis Sisters, Gwendolyn and Margaret, who have collected a wonderful collection. Was there. Impressionist paintings. But war and taxes have removed stuffing from artistic philanthropy, and tradition has diminished.
In the art market boom that began in the 1980s, galleries, which were the storefronts of art trading such as Charles Saatchi, flourished. 2014, Hauser & Worth (H & W) Is a Swiss art dealer with global ambitions and has opened a rural outpost in Somerset, the sixth gallery on two continents. The move put the small town of Bruton on a map of art lovers. Very popular, H & W Today, a nearby farmhouse’s double-bedroom is a small hotel, which costs £ 1,375 ($ 1,875) per night. However, the revival of private galleries established in the UK for the public good is recent.
According to the Global Private Museum Network, the UK is outdated in this regard. The J. Paul Getty Museum in Los Angeles has long been a model for wealthy Americans and has been adopted by wealthy Germans over the last few decades. For example, Karen and Christian Boros transformed a large (and very ugly) air raid shelter from the Nazi era into a private home and public gallery in central Berlin. Chinese people do, but often to add value to real estate development.
Britain may start catching up. Charles Somales Smith, former CEO of the Royal Academy, believes that country house owners have been keen on collecting contemporary art these days, but the deliciousness and mercy of the rich are not entirely responsible. There is none. Planners are more likely to give permission to a magnificent building if it is accessible to the general public.
In addition to Dyson, British actress Cate Blanchett was recently granted permission to build a gallery on the premises of her home in East Sussex instead of the dilapidated Oast House. Riche It’s not just benefactors. Jane Heathcourt-Dramond-Willibe, 28th Baroness Willoughby de Ellesby has been licensed to build a new exhibition space in her family home, Grimsthorpe Castle, since the 16th century. Nancy Astor’s 86-year-old granddaughter has accumulated a great collection of paintings by her lover Lucian Freud until her death in 2011. The plains of Lincolnshire, where her castle approaches, are rich in cabbage, but have no culture. So her plan to plant art in them will definitely be welcomed.■■
This article was published in the UK section of the print version under the heading “Wall Power”
Art-Private art collectors are building public galleries | UK
Source link Art-Private art collectors are building public galleries | UK