Miami, Florida 2021-06-02 08:00:00 –
One day in 2016, artist Harold Garcia V came across a large white heron while walking down the streets of Miami Beach. Garcia recalls that the bird stopped, biting the fallen fries.
“It actually asked me some questions,” he says. “How does this bird, which clearly does not belong to this place, roam the streets and do things that are not of its natural nature?”
Many Miami citizens would have considered witnessing mediocre, but that experience prompted Garcia to spend two years with the Everglades and the wildlife of South Florida, which she once called her hometown. I embarked on an investigation.
The final result of Garcia’s research project, “Welcome to the EvergladesWill be on display at the Thomas Nickles Project, a Manhattan art gallery that introduces contemporary Cuban artists until June 27th. The exhibit includes 11 watercolors and a video produced by Garcia. At the altar of vanityIncludes a glimpse of the heron at the 5:29 mark.
The “Welcome to the Everglades” watercolor depicts a woman in a Victorian outfit patterned with images of the development and destruction of Florida wetlands.
New era Readers may notice one of the most eye-catching images. alligator It sits above a crocodile-shaped pool float in the middle of Miami’s Airbnb screened pool.Garcia says she was fascinated by the viral image shared by Georgian men New era In 2019, it breathed new life into the pattern of Seminole women’s crinoline dresses.
“A lot is said without the text. A lot is said about the movement of the species and how confusing this crocodile is,” Garcia says.
Born in Cuba, he knew nothing about the Everglades when he moved to Miami with his family in 2005.
“Some communities around the Everglades aren’t even aware that the Everglades are Florida’s most important natural resource,” he says. New era“It may go unnoticed, especially in the Spanish-speaking community.”
After reading about fashion, Garcia decided to convey that message through a fashion lens. Victorian plume tradeSo the hunter ransacked the Everglades and killed a native bird to get its wings.
“There was no law to protect birds at the time, so plume hunters made the Everglades a nightmare for these birds,” he says.
“We’re talking about killing almost 90% of the Everglades migratory bird population.”
In “Welcome to the Everglades,” Garcia contrasts its devastation with the development of modern South Florida. One of his watercolors depicts a woman flaunting a dress with aerial photographs of a cookie cutter house around an artificial lake. Another subject is posing in a dress decorated with mailboxes in the shape of manatees and Florida panthers.
Garcia says there is little difference between plume hunters in the early 1900s and modern developers who drdr fake lakes to build luxury homes and McMansion.
“What’s interesting to me is that these phenomena are connected 100 years apart and respond to the same interests: vanity and social status,” he says. “Even after a century, we still maintain the same stance of making a profit against the Everglades.”
Much of the subject of Garcia’s work is the Seminole and Miccosukee women who are “part of the suffering” of the Everglades. For example, the Seminole woman he painted in a crocodile pool float dress is an out-of-place reptile. Share the same plight as.
“The discomfort of a woman’s face implies her own movement,” Garcia wrote in the description next to the watercolor.
The exhibit is also aimed at Florida’s infamous big sugar industry. Made a big contribution To destroy the Everglades.
One of the watercolors shows an indigenous woman in a sugar cane-burning dress and a woman in a blue-green skirt. In the Thomas Nickles Project gallery, two paintings are displayed side by side, with a domino sugar bag on the shelf between them.
The two watercolors are aimed at Florida’s big sugar industry.
Courtesy of Harold Garcia V
In May, “Welcome to the Everglades” was highlighted in virtual form by the United Nations Documentation and Division Lecture Series. Garcia says she hopes the project will educate viewers around the world and encourage them to promote nature maintenance in Florida.
“You may think it’s a bit strange because you’re a Cuban who wasn’t born in Miami or even Florida, but that’s what I’m passionate about,” he says. . “I believe it is necessary education About this wonderful ecosystem and this ecological treasure we have, and it needs to be preserved. “
“Welcome to the Everglades.” Until Sunday, June 27th, at the Thomas Nickles Project at 47 Orchard Street, New York City. 917-667-5016; thomasnickles.com..
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Harold Garcia V Shows New Exhibit, “Welcome to the Everglades” Source link Harold Garcia V Shows New Exhibit, “Welcome to the Everglades”