Boston, Massachusetts 2021-02-23 14:01:00 –
Boston University News Service
When she first met Rosamund Pike’s Mara Grayson, she solemnly told the judge that she had to protect the elderly ward she was caring for from herself and their greedy family. She looks like a doll standing in front of the court in a red dress, but something can feel strange. Mara’s middle part Bob is neat, his eyes are too blue and his perfect skin is too cold.
“I care all day, every day,” Mara said. Enough to persuade the judge, but the audience knows better. When Mara plunges into a glittering smile, she can almost see the teeth in the second row.
I Care a Lot, released on Netflix on February 19 after premiering at the Toronto Film Festival last September, abuses the guardianship system to retire retirees from savings and freedom. It tells the twisted story of a legal guardian. Mara uses a network of corrupt doctors and assistive health care facilities to find a stable supply of wealthy older people. After convincing the judge (using forged medical records) that her target is dangerous to herself, Mara takes control of their lives and their destiny.
Those who have followed the controversy over the adult guardianship of singer Britney Spears may wonder if the topic is too dark or otherwise a refreshing Netflix movie. Indeed, the whole first act is very annoying. Viewers don’t know if they should be enjoying the scam, as Mara and her partner Fran (Eiza Gonzalez) are willing to take advantage of the sweet grandmother.
The story gained momentum in 30 minutes with the appearance of Peter Dinklage as the mysterious and dangerous son of Mara’s latest ward (Dianne Wiest). Dinklage’s character, wearing a patterned scarf and practicing gymnastics in the office, is a cartoon villain, and the same parts are menacing and ridiculous. The real spark of humor he brings gives the audience permission to relax and enjoy the fall of Mara.
This is important because Pike’s performance is the centerpiece of “I Carea Lot”. Viewers immediately recall Amy Elliott, the antisocial personality of Gone Girl in 2014, but Pike enjoys it even more here. The script places Mara in a series of one-on-one will battles against wards, lawyers, and gangsters. I’m looking forward to seeing Pike betray his enemies. Her sticky, sweet voice does little to hide the threat she poses.
But Marla is even more compelling when she loses her advantage. Pike wears a completely imperfect poker face, which makes the spinning wheel look clever in Mara’s head. When things get really bad, the actress moans, spits, and staggers the screen like an injured animal. It’s Pike’s credit, as it’s impossible to look away from Mara, whether she’s a hunter or a hunter.
Alas, the second half of the movie makes the fatal mistake of forgetting to have fun. The audience is nothing more than a bland thriller, after the script has primarily abandoned supportive medical facilities. Movie writer and director J Blakeson uses the camera to make some interesting decisions, but it’s not enough to save the plot off the course a few times.
The confusing message of the film is also disappointing, given that the guardianship system should be the main subject for biting social commentary. With the exception of some references to sexism, when Marla declares “there are two types of people in this world: the taker and the taker,” the film goes much deeper than its opening. Rarely. Blakeson tries to add depth to the story with the ending of the curve ball, which also feels fixed and awkward, as if it came from another movie.
“I Care a Lot” may contain truly transcendental movie seeds, but the version we have is too uneven and half-baked Netflix fares It’s not more than that. Still, it’s great to see women in their 40s given the opportunity to carry a movie like this, and Pike’s performance is definitely worth watching.
But don’t be surprised if you get the nervous urge to check in to your older relatives.
“I Care a Lot” lets Marla Grayson shine, starts strong but fizzles out – Boston University News Service Source link “I Care a Lot” lets Marla Grayson shine, starts strong but fizzles out – Boston University News Service