Kansas City, Missouri 2021-06-10 12:00:58 –
The True / False Film Festival has always been “different” from other film festivals. The eccentric DIY aesthetic, the “start the show” spirit, and the atmosphere of top-notch curation and intimate community are all free from smooth overproduction and inaccessibility. A documentary festival in Columbia, Missouri, usually held on the first weekend of March, provides artists and attendees with four days of memorable art and the hustle and bustle of downtown.
Given that rewarding spirit, it makes sense that True / False decided to try something else in the year when festivals like Sundance and SXSW went completely online. The planning team will move this year’s event from March to May, a hybrid that enables safe distance and direct involvement of masked and vaccinated people at the picturesque Steven Slake Park outdoor screening. Provided a model or interactive online experience. I couldn’t be there, but I didn’t want to miss it.
Befitting a documentary fest, True / False’s annual theme and film selections often intentionally or unintentionally reflect or sometimes predict the moments in which we live. This year’s theme was “the essence of uncertainty.” This is a choice that reflects both the year we just passed and the strange boundary space we currently occupy. We’re all starting to shake off the COVID-19 cobwebs, but we’re still considering the shock of what’s lost, what’s gained, and what we’re doing now feels strange. I noticed that. For better or for worse, this year’s festival conveyed that feeling to the whole, both in the featured documentary and the experience there.
On a typical True / False weekend, the air can be thick and possible. I don’t know who to meet.one year Chicago Tribune Michael Phillips almost killed my laptop when he spilled soda at Uprise Bakery (he was very kind about it). Another year, I came across Nathan Fielder in Cardies. Academy Award-winning director James Marsh as a 2011 volunteer Man on the wire, I asked me if I would put him in the screening without his pass (of course I mandated).
The atmosphere still existed this year, but in a limited way. Most of the events took place at Stephen Slake Park, with concerts throughout the day and screenings at night. The concert was impressively diverse. Regional acts like Shy Boy in Kansas City and Blvck Spvde in St. Louis can be seen alongside indie headliners like Parkay Coates frontman Andrew Savage. On Saturday morning, filmmakers and film industry people cheered in spite of the rain and took part in a friendly kickball tournament in front of an enthusiastic audience. However, in general, they lacked a sense of spontaneity. It turns out that good public health measures, while rational and important, require advance planning to reduce the chances of exciting accidental encounters.
The question of dealing with our strange new present in the light of the recent past has also permeated the choice of film.True / False Alum Anthony Shows He Rat film 2017 festival again this year All right, everywhereA multifaceted study of the myths of perception, surveillance, and objectivity. Anthony, who lives in Baltimore, presents his winding philosophical work on the use of body cameras and the rise of surveillance technology as crime prevention following the murder of Freddie Gray by the Baltimore police in 2015.
Anthony’s interest in what he sees is a series of astronomers’ attempts to capture the Transit of Venus in the late 19th century and photographic advances that helped create both modern profiling and drone surveillance techniques. It goes down the charming rabbit hole. He also takes us to the headquarters of Axos, a company that creates tasers and manufactures most of the body cameras currently used in police stations.
So All right, everywhere Digging into the overlapping history of science, photography and crime profiling reveals some nasty patterns. This is best summarized by the 19th century French criminologist Alphonse Bertillon. It’s already in my head. Anthony shows the obvious flaws in the use of police body cameras and how our individual prejudices distort what we see in a way that makes it impossible to discern the objective truth. The film sometimes deviates from the main subject in a way that is not completely tied, but Anthony’s dissertation and curiosity are consistently fascinating.
Responding to a rapidly changing world in real time is a central theme of Peter Knicks. Home room, Beginning on the first day of school in 2019, followed by the Auckland High School graduation class in 2020, which will graduate in June of the following year. Home room Is the final chapter of Knicks’ trilogy of reputed documentaries on aspects of Auckland’s civil life and social issues, beginning with the 2012 hospital documentary. waiting room And continued in 2017 force, Knicks investigates police station with city problems. All three movies will be available on Hulu. Home room It will premiere on the platform later this summer.
for Home room, Knicks is dressed in a group of socially involved students at Auckland High School. Auckland High School is mainly attended by colored students. A child of an undocumented parent, Denilson Galivo sits on the district board and leads a diverse student coalition that considers decisions that affect their education. When the movie begins, their main concern is to reduce the presence of police in their schools. The problem becomes even more urgent next summer as Garibo and his classmates react to George Floyd’s murder.
Homeroom teacher Another major factor, of course, is the pandemic, which almost exactly reaches the midpoint of the film. If COVID disrupts their lives, Nicks does a great job of pre-establishing the existing interests of these students, such as SAT scores, college applications, scholarships and other factors. The reality of the challenges they face is clear. Creates dramatic tension. Most of these children come from low-income families. Some of them do not have access to the internet working at home.
Home room Here’s a microcosm of what teenagers in a poorly serviced community across the country had to deal with last year. It is hopeful and inspiring to see these children continue to actively improve their communities in the face of patient and highly motivated situations.like Boys state Stephen Garza, I think you’ll see great things from Galivo in a few years.
The last experience of the festival was from Ahmir “Questlove” Thompson Summer of the Soul (… or when the revolution couldn’t be aired), Turned the festival theme in a different direction. In recent years, there has been much debate about the importance of portraying the joy of blacks as well as suffering in movies and television, and the importance of seeing the entire history of blacks more broadly. Summer of soul Do both and uncover the amazing concert footage of the 1969 Harlem Cultural Festival. This is a concert series boasting celebrities and hundreds of attendees. After the fact, it was almost erased from the public consciousness — to the point where some were there and began to wonder if it had happened at all.
The best concert documentaries provide a specific look of time and place, in addition to capturing great performances.A particularly nice example of this is the long-lost Aretha Franklin concert film. amazing Grace, Displayed as True / False 2 years ago.To Summer of soulIncredibly detailed footage of the Harlem Cultural Festival concert offers a fashion tour of the late 1960s (Jesse Jackson with Ascot). You look amazing A large crowd of different personalities in the audience as well as the leather vest). Interesting to see for everyone there, every face looks like it can produce a worthy inside story of the novel.
Summer of soul It was a closer that was perfect for the joy and hope that it created. It was also the only movie I saw indoors and the festival’s flagship store, Ragtag. Waiting in line for the movie, I made friends with a sweet elderly couple. We talked about music, classic comedy records, and other movies we saw that weekend. It was the first time that the festival felt like a normal year, backed by a movie celebrating a similar large-scale collaborative experience where strangers became friends and art connected us all. There is still a long way to go before “returning to normal”, but there are a few moments when nature feels healed. This was one of them.
On Location at True/False film festival 2021 Source link On Location at True/False film festival 2021