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Procession details the healing process of survivors of sexual assault perpetrated by KC Catholic priests – Kansas City, Missouri

Kansas City, Missouri 2021-12-03 09:00:29 –

(From left to right) A procession of Joe Eldred, Ed Gabagan, Michael Sandridge, Tom Viviano, Dan Lorine, and Mike Foreman. // Netflix © 2021

TW: This article describes sexual assault, abuse and trauma.

One of the first things to surprise you queue It is a title card.Super Impose exorcistA style font on a shot of an altar boy standing in the choir loft, backlit by a stained glass window. The image has been arrested, but what really stands out is the filmmaking credits. Instead of listing one director, the card contains the names of 22 people.

The name of Robert Green, a Colombian-based documentary, does not appear until the beginning of the fourth line. At the top are the names of the six men, none of whom are trade filmmakers. Joe Eldred, Mike Foreman, Ed Gavagan, Dan Lorine, Michael Sandridge and Tom Viviano. All of these men are survivors of the sexual assault committed by a Catholic priest who was active in Kansas City-Cent. Diocese of Joseph.

It’s clear that the story you’re trying to see doesn’t belong to anyone. Instead, it is an active cooperation to talk about survivors and help them heal.

“Their voices needed to guide the process,” says Green. “It wasn’t difficult because they are good men. When we went, they were excited to take on the challenge.”

queue Eldred, Foreman, Gavagan, Laurine, Sandridge, and Viviano follow how they work with Greene and drama therapist Monica Phinney. Men’s goal is to assert and shape the childhood trauma that has influenced life for decades by performing dramatic scenes that regain power and adapt to experience. Is to change. Green says the approach may be different from a typical documentary, but the intent is the same.

“Anyway, it has a lot of what a documentary is,” says Green. “You are listening to the people on the screen. It’s a little more focused on the goal, and that goal is to help each other.”

Eldred said the open creative alliance between participants and Greene created an atmosphere of trust that everyone needed to be vulnerable and supportive, not only for the success of the project, but also for their own growth. say.

“It’s hard to trust after being abused as we were all. It’s hard to be vulnerable and put ourselves there,” Eldred says. “When Robert leaves the only director, allows us to tell our story and gives us the freedom to say” no “or” yes “, it’s what I own my story. , Made it possible for me to go as far as I can comfortably. He didn’t push me harder and harder, so I was able to go on and explore as much as I could. “

queue. The procession of Terrick Trobau.

The procession of Terrick Trobau. // Courtesy Netflix © 2021

“Crisis and Opportunity”

The journey to make the green queue When the documentary before him started Visby ’17, I was making a festival round. In the film, Green worked with current citizens of Bisbee, Arizona to recreate the tragic events from 1917.

“During the Q & A, I was asked if the project had a therapist. My answer was completely inadequate,” says Green. “Reflecting that, my sister-in-law told me to read [Bessel van der Kolk’s book] Body maintains score, And I learned that one way to help overcome trauma is to perform things theatrically and use drama therapy effectively. She told me, “This is what you’ve done throughout your career.” I realized that this was both a crisis and an opportunity. “

Green says this sudden realization gave his filmmaking a new sense of purpose. He wanted to explore further.

“I wondered,’What’s the point of doing these movies?’ If I’ve been doing this all the time, why don’t you really help it therapeutically,” says Green.

Green explained that as soon as he began working on this subject in 2018, there was news about the history of abuse in Kansas City-Cent. At the same time as Joseph Parish announces the results of a two-year grand jury investigation into abuse in Pennsylvania. After investigating these events, Green held a press conference in August 2018. queue, Viviano, Sandridge and Foreman are working on abuse with lawyer Rebecca Randles.

“I was completely impressed with these people,” says Green. “At the beginning of the project, it was a lightning bolt that happened when everything I was thinking of suddenly hit. I wanted to reach out.”

Eldred wasn’t part of the press conference Greene saw, but was invited by Randles to the project after Greene contacted her.

“What attracted me was the idea of ​​meeting someone like me,” Eldred says. “Finally when I started to understand the scope of the film, it could help so many people, not just the abused men, but also those who had trauma in their background. I saw. “

L to R) Ed Gavagan, Michael Sandridge, Dan Laurine in Procession.

L to R) Ed Gavagan, Michael Sandridge, Dan Laurine in Procession. // Courtesy Netflix © 2021

“They get me, I get them”

Many of Green’s previous films contain elements of performance and reenactment. However, this time the process was different and more intentional. From the beginning, Green said it was important for trained professionals and those associated with the men involved to have a positive influence.

“The therapist’s role in the project was essential,” says Green. “Monica Finney, Rebecca [Randles], When [therapist] Sasha Black is all traumatized. Their skepticism and suspicion, and ultimately support, were very important in guiding the process. “

In the process of the film, six men take some great emotional risk to help each other as well as re-engage in traumatic moments from the past, hoping to overcome them. You will be asked to do that.

One such risk was that Viviano, Sandridge, and Laurin were willing to wear vestments to play the role of abusive Catholic priests in scenes performed by other men. When I see Sandridge, Viviano, and Laurin wearing the costumes of the abusers, I feel both the strength and selflessness they show, both shocking and inspiring.

“At some point, I hear Michael say,’Why did I say yes? Ed. [Gavagan] I asked me to do that, “Green says. “Have Ed ever experienced the process of what he does with someone other than Michael? I don’t think so. Can Mike? [Foreman] Did you release his anger to anyone other than Tom? I don’t think he could. It is a testimony of those who took on those roles and said, “I am here, give it to me and do it.” “

Eldred says the willingness to share each other’s journey has created a unique and vibrant bond between him and his fellow survivors.

“I can’t emphasize how liberated it was because it wasn’t alone,” Eldred says. “In your heart, the Titanic sank, and you are the only one in that lifeboat out in the open ocean. Now that boat knows me, my face There are other men who know. They get me and I get them. “

Near the end of the film, Eldred returns to one of his places of abuse, the Nativity of Mary’s Parish in Independence, Missouri. In the parish hall, Eldred reads a letter addressed to himself (age at the time of abuse) at the age of 10 anthropomorphized by actor Terrick Trobow. He is acting as a youthful agent for all men. It’s a painful, direct and vulnerable moment that Eldred has created over the years.

“I’ve been trying to get in touch with Joe, who is 10 years old, for a long time. When the opportunity came, I took it as a personal challenge,” Eldred says. “In a few weeks, a letter was written. Joe, 10 years old, finally heard his voice, and Joe reconnected with him at a true level today.”

Eldred says the results were transformative, allowing him to finally begin to close the gap between the child he was and the adult he became.

“I feel like I’m the healthiest and most central person I’ve ever had,” he says. “Reading it in the church, Robert left it entirely to me, but I felt it was right.”

queue. (From left to right) Ed Gavagan, Michael Sandridge, Dan Lorine in the procession

(From left to right) Ed Gavagan, Michael Sandridge and Dan Lorine in the procession. // CourrtesyNetflix © 2021

“the most important My life experience “

Before the theater release on November 12th. queue It premiered at a number of film festivals, including the Telluride Film Festival in Colorado last September. Eldred says the experience of watching a movie with the audience was nerve-wracking but rewarding.

“I didn’t know what to expect, and I certainly didn’t know how big it was to go to Telluride. Until then, I was watching in the living room with my wife,” Eldred said. Says. “It’s a surreal experience in that you put yourself there, but only those who care about you have seen it.”

However, the reception was unanimous, positive and positive.

“Each of the screenings I did ends with a standing ovation, and it’s humble to see people pay enough attention to see these strangers go through the process we did.” Says Eldred.

Green says the experience of making queue He recognized the importance of working on mental health in his life.

“Thanks to this movie, I’ve been treated for the first time in my life, not just because it was difficult,” says Green. “I see the potential for treatment. I see the potential for treatment. I can be empowered by seeing what these men are doing and tackle my past. That is the most important experience in my life. “

Eldred hopes the film will help in further conversations about mental health, sexual abuse and trauma.

“Talking about sexual assault is currently unacceptable, especially for men,” says Eldred. “There are so many people walking around with secret traumas. I hope the husband can talk to his wife what happened and the child can talk to his parents. I hope those traumas will be discussed. I hope and pray. “

Green agreed and added that he hopes the film will help filmmakers better tell important and emotionally vulnerable stories in a way that respects the experience and needs of the subject.

“Hopefully, seeing what these guys did will help others perform some of the same steps I’ve taken,” says Green. “The agreement is that we are making something together. It’s not what documentaries once were, but it’s what they’re getting more and more. Filmmakers say we’re here. I think you can learn from what you’ve done in. “



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