Honolulu, Hawaii 2021-09-16 20:10:00 –
Los Angeles >> The miniature decree given at the Emmy Awards on Sunday can be a huge boon to ego, career and guessing games.
Will “The Mandalorian” succumb to “The Crown” as the best drama series? Can the soothing comedy “Ted Lasso” captivate the glory of freshmen? Will Jean Smart be honored as the best comedy actress in “Hack”? (She will.)
But when the television industry, or some of its pandemic-constrained parts, meet to honor the 73rd Primetime Emmy Awards, it is at stake in far more.
The ceremony (2 pm Hawaii time on CBS) is a snapshot of the changing business of the 21st century. The rapid division of what we see on a small screen and those who cannot see it, and the television and its viewers.
The obvious winners and losers are revealed in 27 categories of how Cedric the Entertainer hosted it. But personal victories and more than the criteria for success or failure beyond the trophy are at stake.
Here are some notable results and trends at both short range and wide angle.
Row Row Your Boat
Streaming services are ready for a victorious night that further casts a shadow over the status of broadcast networks, including the once dominant cable channels such as ABC, CBS, NBC, HBO and Showtime.
Tom O’Neill, editor of the Gold Derby Prediction website and author of the Emmy Awards, said:
The invasion of the premium cable, once owned by Broadcast, into the lawn was gradual. Launched in 1972, HBO has been waiting for 20 years for the first Best Series Emmy Awards won by the Garry Shandling comedy The Larry Sanders Show. It wasn’t until the 2000s that “Sex and the City” and “Sopranos” won the highest award in the series.
In contrast, streaming is going at Ferrari-like speeds. In particular, we are paying a fortune for shows aimed at doubling the service and attracting paid customers.
In 2017, Hulu’s “The Handmaid’s Tale” became the first streaming series to win the highest drama Emmy Awards. The following year, The Marvelous Mrs. Maisel won a consensus victory on the Amazon comedy side, who won the Fleabag again in 2019.
You could win either Netflix’s “The Crown” or Disney + series “The Mandalorian,” nodding at 24 each. Patience will finally pay off for Netflix, which launched its on-demand service in 2007 and starred in the first drama series nominee, House of Cards, in 2014.
For Disney +, the win is quick and sweet. It was released in November 2019. Apple TV +, arriving in the same year, could win the first Top Series award for “Ted Lasso.” If that happens, streaming excellence will be solidified with a one-two punch in the comedy and drama categories.
The promotion of diversity is progressing at a much slower pace than the digital revolution, but the number of candidates this year was unimaginable just a few years ago.
Of the 96 acting nods in dramas, comedies and miniseries, nearly 44% (42 nominations in total) were directed to people of color. According to the 2020 census, white Americans make up just under 58% of the population.
Among the groundbreaking figures of the year are Mj Rodriguez, the first transperformer nominated for the lead role, and “Saturday Night Live,” the first Asian-American to compete for the best comedy actor. There is Bowen Yang.
The drama’s top acting categories are particularly comprehensive, with all 12 candidates for the best actors and actresses being white, along with Kyle Chandler (“Friday Night Lights”) and Juliana Margulis (“Good Wife”). It’s amazing compared to just 10 years ago. “) Winner.
It was 2011, this is now. Black men make up the majority of the candidates for the leading drama actor, four out of six, with past winner Sterling K. Brown on “This Is Us” and “pose” star Billy Porter in 2019. Includes the first openly gay men to win this category. ..
Half of the six leading actress award candidates are colored women. Jurnee Smollett (“Lovecraft Country”) and Uzoaduba (“Under Treatment”) are black and Rodriguez is Afro Latina.
The story can be different if the final test of inclusiveness is who wins. “The Crown” stars Josh O’Connor and Emma Corrin are considered the leading candidates for the portrayal of unlucky royal companions Charles and Diana.
Pandemic, Part 2
Constraints can give rise to ingenuity.
Last year’s all-virtual ceremony included a decisive moment of closure. A trophy courier suitable for dangerous goods was wandering outside the candidate’s home until the category was called, either by giving it a prize or unfortunately stealing it.
2020 producer Guy Carrington said, “Someone joked (idea) at a meeting, but it always bothered us, so it’s the best way to do it. I decided that there was one. ” Emmy Awards.
This year, about 500 candidates and guests will meet under a charming tent in downtown Los Angeles to take precautions for COVID-19, including vaccine needs and testing. While there are celebrities among presenters such as Angela Bassett, Michael Douglas, Dolly Parton and Awkwafina, at least one star, Jennifer Aniston, was frank about staying away from virus concerns.
Reginald Hudlin and Ian Stewart, executive producers of television broadcasts, said they took the opportunity to reduce attendance.
Instead of being trapped in a theater seat, guests are encouraged to sit at the table and attend and interact with what sounds like an oversized dinner party where drinks and snacks are allowed.
“It’s a celebration for the industry to come out and sit together and meet each other,” Stewart said.
Hello, is there anyone?
Award shows, from Oscars to Grammy Awards, have been steadily declining in recent years, entering a new depth during the pandemic. Despite praising the TV show we were dating in the darkness of COVID, we were not exempt from the Emmy Awards.
According to Nielsen, last year’s television broadcasts plummeted to another 6.1 million viewers after hitting a record low of just under 7 million in 2019.
Some of them are simply award overloads, with dime rituals beginning with major ceremonies that turn 73 on Sunday, such as the 94-year-old Grande Dam Oscar and the Emmy Awards.
Next is the length of the show. A laid-back three-hour television broadcast, including commercials, was expected and tolerated in the old television world. With the new ones, viewers tend to be free to check the highlights of the event online.
But as Hadrin sees, social media can take as well as give.
“If you want to provide a show that works, people say,’Oh, are you looking at the Emmy?” It’s a little cool, “so suddenly people tune everything because you’re talking about it. Start, “Oh, this is crazy,” Hadlin said. “So we like to keep it going crazy.”
Details were obscured, but Reggie Watts, the bandleader of The Late Show with James Corden, will be the night DJ.
Event producers may be unfamiliar with cable TV and streaming niche shows, especially those who prefer network shows such as ABC’s Grey’s Anatomy and CBS’s The Neighborhood. I also recognize. The latter is starring Cedric the Entertainer, the host of the Emmy Awards.
“We have sought presenters from many well-known mainstream actors, actresses and people in the industry to reflect popular television,” Stewart said.
‘The Crown,’ ‘Ted Lasso,’ streaming seek Emmy Awards glory Source link ‘The Crown,’ ‘Ted Lasso,’ streaming seek Emmy Awards glory