Theatre Review: ‘King Lear’ at Baltimore Shakespeare Factory – Baltimore, Maryland

Baltimore, Maryland 2021-10-15 04:18:46 –

Abigail Funk (Fool) and David Yezi (King Lear) of “King Lear” at Baltimore Shakespeare Factory. Photo by Matthew Peterson.

Shakespeare’s “King Lear” is currently being performed at the Baltimore Shakespeare Factory and is directed by Marshall B. Garrett. This is a rare piece because it is presented in the original Elizabethan dialect. Original pronunciation (OP). This is the reopening of this indoor theater, and interestingly, Shakespeare is believed to have written “King Lear” during the quarantine in London at the time of the plague.

Some believe that King Lear is Shakespeare’s most perfect tragedy. Unlike self-absorbing Hamlet and jealous Othello, Leah’s only drawback is his age. He can no longer clearly determine the motivation of his three daughters. King Leah is easily guided by praise, but the way Cordelia feels towards her father makes it clear that this has happened recently. In that case, Leah can no longer be responsible for his actions. Like many people with dementia, he has clear moments, but he finds that he has problems with his psychic abilities. As a result, everything that happens to him and his daughters is truly tragic.

… Great work… a great way to get back to the live theater. This BSF piece should be on your calendar.

King Lear is one of Shakespeare’s most read and studied works, as it has so many aspects to its plot. Keets wrote a poem about it called “Sit to read King Leah again.” Akira Kurosawa’s 1985 movie version of “Ran” is set in Japan during the feudal era, but the theme is the same.

The BSF stage is itself worth the admission fee. Tom Brown’s masterpiece recreates the mysterious feeling of sitting in the Globe Theater in London on the 17th.century. It enables a continuous flow of action that helps prevent the pace of play from being disrupted. Befitting, Brown plays a role in this production as Kent / Oldman.

In the title role, David Yezzi is very powerful as he changes from a powerful and powerful ruler early in the play to a crazy, thin old man in later scenes.

Abigail Funk plays both a pure-hearted Cordelia and a fool with the decline of Leah. Many scholars believe that the fool was always intended to be played by the actor who played Cordelia, as the two would never be on stage at the same time. They believe Shakespeare had told the director that the fool was actually disguised as Cordelia and was trying to stay near his unsuccessful father. Funk depictions of both beloved daughters and insightful fools show her wide range as an actor.

It is stated that the eyebrows also play a dual role. Again, it is even more apparent to the audience that the old man is in disguise taking care of his beloved king. Brown manages the dual role well, creating two characters that the audience can admire and respect. He is heroic and wise.

Disguise is commonly used by Shakespeare, who uses them three times in this play. Jeff Miller is Edgar, the legitimate child of Earl of Gloucester (Greta Bollinger Schoenberg). He also impersonated a madman with Leah and a small group of his asylum friends. When Gloucester becomes blind, Edmund as a madman comes to the rescue. Miller draws sympathy and admiration through his performance.

Edmund, sometimes referred to as Edmund the Busterd, is played by Rocky Nunzio. Nunzio creates a fascinating but deceptive Edmund who is jealous of his half-brother status and leads him on a dangerous path. His duel scene with Edgar is perfectly staged and is one of the highlights of the production.

Schoenberg works just as well as Gloucester in crossover casting. She is now excellent as a blind gloster whose life is desperate.

Cordelia’s two jealous sisters, who collude with their spouses as well as their brothers and fathers, are finely portrayed by Erin Hanratti as Goneril and Nina Marti as Regan. The two help make their character a nasty villain.

The cast is successfully closed by Colin Riley as Albany / Culin, Zachary Brewster Geis as Cornwall / Doctor, and Marnie Canalek as Oswald / Burgundy / Servant.

Garrett’s direction is jealousy, true paternal love, how society treats the elderly, how it treats mentally incompetent people, corruption of power, treatment of illegitimate children, etc. It highlights many of the themes of “King Leah”.

Costume designers are not listed in the program, but costumes are a wonderful artistic piece of Elizabethan attire, from hats to shoes.

Jamie Horrell is a music director and multi-instrumentalist. The play begins with a few songs, which are arranged between several scenes, giving you the opportunity to stretch out as there are no breaks or breaks. When the plot gets very intense, some songs actually act as comic relief. Jess Behar is the former pronunciation director and Tegan Williams is the Fight Choreographer.

The only minor problem is that the sound effects drown out some of the actor’s lines when a storm occurs. Perhaps they can tone it back for future performance.

If you haven’t seen “Kingria”, this is a great introduction. For someone like me who is looking at it again, this is the most interesting version and you won’t be disappointed. This BSF production, which is a great way to get back to the live theater, must be included in your calendar.

Execution time: 2 hours 35 minutes without breaks.

Advisory: Not for very young children due to violence.

King Lear will be staged at the Baltimore Shakespeare Factory in Kestrel, Great Hall Theater, until October 24, 2021. It is located in the St. Mary’s Community Center, a historic Old Church at 3900 Roland Avenue in Baltimore. MD21211.Click here for tickets Link.. For more information on Baltimore Shakespeare Factory Website..

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