William Edmondson’s Legacy and a Potential Edgehill Development – Nashville-Davidson, Tennessee

Nashville-Davidson, Tennessee 2021-06-14 06:00:00 –

A leaflet about potential development recently distributed throughout Edgehill

I was watching North Edge Hill Commons Development ProposalLocated in the Beaman property on the corner of 12th Avenue South and Hawkins Street. Gossip said many potential buyers of the property were interested in the zoning change before the sale was completed, but one potential buyer did not. That is. However, if the zoning does not change, the purchaser will end up with a lot of parking. That’s why Edgehill is littered with pamphlets that explain how great this development would be if it were to happen. The leaflet I saw encouraged people to contact the planning committee to support the project.

The leaflet also includes the following content:

A complex and collaborative “green space” in honor of Edge Hill’s lifelong resident and acclaimed artist William Edmondson.

An important feature of the open space is a playground that integrates large limestone slabs for children to climb and scramble. It celebrates the history of artist William Edmondson and his neighbors to drop the remaining limestone and turn it into limestone. Sculpture art.

I’ve acknowledged. Who in us sees a large pile of limestone and thinks, “Children should play with this-there’s nothing wrong with a rock collision with a child”?

The flyer shows this limestone playground, with some oversized replicas inside. Sculpture by the late Nashville artist William Edmondson.. Judging from conceptual art, these sculptures are 4 to 7 feet high.

I tried to figure out how much each of these sculptures would cost, but getting a limestone quote on Sunday morning is not easy. Google proposes to estimate $ 100 per ton of raw materials alone. And, of course, you need a sculptor who can work on large limestone. And you know, it doesn’t matter what the actual cost is. If it costs $ 10,000 per statue, $ 50,000 per statue, and even $ 1,000 per statue, you can sell and make the statues that William Edmondson actually carved in his lifetime, the statues on which these sculptures are based. It will be higher than the one. It will be more than his family has ever achieved the sale of Edmondson’s work.

Neighboring activists are trying to protect Edmondson’s home site And for many years it became a park and a library. But these are ordinary people without huge developer money. They need the help of metro schools, library systems, metro parks and many other organizations, and all these groups are needed to honor Edmondson, even if it doesn’t cost anything. However, they have plans for the community to support development and support. They are backed by the Edmondson family.

It doesn’t cost much to the city, but it doesn’t benefit the family without the support of the family. The developers know that they need something flashy to get support for development, and that the community is really keen to find a way to spotlight Edmondson and his role in the neighborhood. It’s as if I found it. So they connected their wagons to the cause. This is fine, but it probably makes business sense.

But using Edmondson’s name and his art to make money for people who have nothing to do with William Edmondson can be unsightly.It’s not cool and convenient that Edmondson’s art was good enough Show him a show at MoMA in the 1930sHowever, he never gained the wealth he deserved.The person who has it Paid Edmondson was sold by a white man who was smart enough to collect it when he was alive, so that more white art collectors could comfortably buy art by black artists. Held long enough. All of these connected white worshipers of Edmondson saw their small investment in his art brilliantly rewarded, and none of them his family made his intellectual property. It didn’t help me understand how to protect my rights and benefit from them. And now there are wealthy people who raid Edge Hill and claim to value Edmondson while using Edmondson for their own benefit.

I’m not a lawyer, but when I turn over copyright law, I don’t think I’m illegal in this situation. But it hits me badly. This is one question we should ask as a city when someone who wants to “praise” William Edmondson comes to us: how is the family involved? Even if there is no legal obligation to involve the family, we can claim moral obligations to the family.

William Edmondson’s Legacy and a Potential Edgehill Development Source link William Edmondson’s Legacy and a Potential Edgehill Development

Back to top button