SAG-AFTRA may strike this month, join WGA at picket line
Hollywood and television screenwriters going on strike Over the past month, actors have also become readily available.
SAG-AFTRA, which represents television and film actors, asked its 160,000 members to approve the strike on Wednesday, ahead of negotiations with major entertainment studios. If at least three-quarters of the union’s eligible union members vote in favor, the actors could go on strike if SAG-AFTRA and the studio do not reach an agreement by June 30. . Union members have until 8 p.m. Eastern time on Monday to vote on whether to sanction the union. strike.
of writers strikeMany of the actors have expressed their support for the screenwriter, such as participating in the WGA’s picket line, which likely encouraged the cast, he wrote several books on Hollywood work. says Steve Ross, a history professor at the University of Southern California.
“This is really unique,” Ross told CBS Moneywatch. added.
Strikes by a single union are rare, with the WGA last withdrawing in 2007 and the Screen Actors Guild last striking in 2000, after which the unions merged with the League of American Television and Radio Artists. and become SAG-AFTRA.
SAG-AFTRA President Fran Drescher and a number of prominent actors expressed support for the strike vote. Kim Cattrall, Julia Louis-Dreyfus, Kumail Nanjiani, Kerry Washington And many others appeared in videos urging fellow actors to approve the strike.
There will be no strikes until at least the next period June 30th, when your current SAG-AFTRA contract expires. But, as Drescher explained in the video, by entering negotiations with the ability to strike, the performers have “made huge profits from your workforce over the past decade” with studios. Get maximum impact.
According to SAG-AFTRA, the actors are asking for higher compensation in light of lower balance payments for streaming content and more generous studio contributions to union benefits plans. The union also wants to restrict actors from auditioning for self-filming, which the union claims is a “huge and uncompensated burden on the lives of performers on a daily basis.”
Like the Writers Guild, SAG-AFTRA also So-called generative AI Used in place of acting jobs.
“I need an actor”
TV and film writers are currently on strike for a month, and the expected departure of a Hollywood actor could lead to an industry-wide shutdown, ending most productions.
“Nowadays, studios can make movies without writers, saying, ‘We’ve got the material, we can easily get through the fall, we don’t need anyone,'” Ross said. . “Well, you need actors. Even if you have a script and you have a director, who will play them?”
In the event of a strike, he added, small, independent productions using non-union talent could continue, but most work would come to a halt. SAG-AFTRA said the strike will not affect the filming of unscripted content such as commercials, news broadcasts and talk shows. (Many late-night talk shows have already been canceled because of writers’ strikes.)
creator vs studio
Writers and performers share many of the same concerns, Roth said, including low remaining payments for works made on on-demand services like Netflix and Hulu. Streaming Seasons on his service are much shorter, with episodes 6-10 instead of 22-24, leaving actors and writers to struggle to scrape together enough salaries to make a living.
“I would argue that for them, this gave them more chances,” Ross said, adding that it also raised the profile of television actors who were seen as less prestigious than movies. But these increased opportunities come with shorter seasons and lower salaries.
It has sparked a struggle between performers and writers on one side and studios and streaming services on the other. Networks and studios that have poured money into streaming for years are now citing investor pressure as a reason to cut hiring and other costs.
“That’s the heart of the strike. What’s there in terms of sharing streaming revenue, what’s there in terms of sharing the burden of cutting costs,” Ross said.
He added, “If streaming services aren’t making money, how are we going to share the burden? When I see you making $50 million, $100 million a year, I know you’re calling for poverty.” It’s hard to take it seriously,” he added. . “
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Hollywood and television screenwriters going on strike Over the past month, actors have also become readily available.SAG-AFTRA, which represents television and film actors, asked its 160,000 members to approve the strike on Wednesday, ahead of negotiations with major entertainment studios. If at least three-quarters of the union’s eligible union members vote in favor, the actors could go on strike if SAG-AFTRA and the studio do not reach an agreement by June 30. . Union members have until 8 p.m. Eastern time on Monday to vote on whether to sanction the union. strike. of writers strikeMany of the actors have expressed their support for the screenwriter, such as participating in the WGA’s picket line, which likely encouraged the cast, he wrote several books on Hollywood work. says Steve Ross, a history professor at the University of Southern California.
“This is really unique,” Ross told CBS Moneywatch. added.Strikes by a single union are rare, with the WGA last withdrawing in 2007 and the Screen Actors Guild last striking in 2000, after which the unions merged with the League of American Television and Radio Artists. and become SAG-AFTRA.
SAG-AFTRA President Fran Drescher and a number of prominent actors expressed support for the strike vote. Kim Cattrall, Julia Louis-Dreyfus, Kumail Nanjiani, Kerry Washington And many others appeared in videos urging fellow actors to approve the strike. There will be no strikes until at least the next period June 30th, when your current SAG-AFTRA contract expires. But, as Drescher explained in the video, by entering negotiations with the ability to strike, the performers have “made huge profits from your workforce over the past decade” with studios. Get maximum impact.According to SAG-AFTRA, the actors are asking for higher compensation in light of lower balance payments for streaming content and more generous studio contributions to union benefits plans. The union also wants to restrict actors from auditioning for self-filming, which the union claims is a “huge and uncompensated burden on the lives of performers on a daily basis.”Like the Writers Guild, SAG-AFTRA also So-called generative AI Used in place of acting jobs.
“I need an actor”TV and film writers are currently on strike for a month, and the expected departure of a Hollywood actor could lead to an industry-wide shutdown, ending most productions.”Nowadays, studios can make movies without writers, saying, ‘We’ve got the material, we can easily get through the fall, we don’t need anyone,'” Ross said. . “Well, you need actors. Even if you have a script and you have a director, who will play them?”
WGA Says Potential DGA Deal Won’t End Writers’ Strike
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In the event of a strike, he added, small, independent productions using non-union talent could continue, but most work would come to a halt. SAG-AFTRA said the strike will not affect the filming of unscripted content such as commercials, news broadcasts and talk shows. (Many late-night talk shows have already been canceled because of writers’ strikes.)creator vs studio Writers and performers share many of the same concerns, Roth said, including low remaining payments for works made on on-demand services like Netflix and Hulu. Streaming Seasons on his service are much shorter, with episodes 6-10 instead of 22-24, leaving actors and writers to struggle to scrape together enough salaries to make a living.”I would argue that for them, this gave them more chances,” Ross said, adding that it also raised the profile of television actors who were seen as less prestigious than movies. But these increased opportunities come with shorter seasons and lower salaries. It has sparked a struggle between performers and writers on one side and studios and streaming services on the other. Networks and studios that have poured money into streaming for years are now citing investor pressure as a reason to cut hiring and other costs. “That’s the heart of the strike. What’s there in terms of sharing streaming revenue, what’s there in terms of sharing the burden of cutting costs,” Ross said.
He added, “If streaming services aren’t making money, how are we going to share the burden? When I see you making $50 million, $100 million a year, I know you’re calling for poverty.” It’s hard to take it seriously,” he added. . ”
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